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Youth – Romania Without Dracula

Category: Youth

  • Rovegan, a Contemporary Fairy Tale

    Rovegan, a Contemporary Fairy Tale

    English version differing from original Italian article first published in “Il Manifesto, Alias” 

    Caprele sunt printre primele animale domesticite de către om. În neolitic, păstorii au început să păstreze caprinele pentru lapte și carne, dar de-a lungul timpului, oamenii au descoperit că pot fi folosite și drept combustibil, pentru îmbrăcăminte, construcții și instrumente. Capra este numită “vaca omului sărac”. Pentru că e ieftină şi bună.

    Goats are among the first animals domesticated by humans. In the Neolithic, shepherds began to keep goats for milk and meat, but over time people have discovered that they can also be used as fuel, clothing, construction and instruments. The goat is called “the poor man’s cow.” Because it’s cheap and good.

     

    Meeting Up at Dianei 4

    I meet Catincă Drăgănescu in a June rainy day at Dianei 4. Like it often happens in Romania, places echo back to other stories, developing their secret connections. Now these shanty chic quiet rooms host a hipster venue, back in Ceaușescu’s days, some Securitate premises. At a given time, they also served as collecting point for Romanian jews in wait for their final relocation to Israel, which could only apply once their diversified “ramsons” were negotiated with Romanian government agents. Today Catincă’s playwright ROVEGAN  gives voice to a contemporary variation of the same dilemma:  the impact of economic migrations on human destinies. Catincă wrote ROVEGAN in 2015 as her Residency project at the Drama League, New York, the first Romanian to be admitted there. We order our cappuccinos.

     

    Badanti, an Invisible Army 

    I had experienced ROVEGAN few days before at Centrul Educațional Replika in Bucharest. The last but one show with no certainty yet that it would run on again in the fall season, it is a piece of brechtian “epic theatre”.

    The performance lasts for an hour and a half and flows at a high emotional pace. I believe that any signora italiana, if not any Italian citizen, should “experience” this piéce. Set design is basic: three chairs and a background photo frame featuring a dusty road reaching out into the Moldavian steppe, the only anthropic element being a Bine aţi venit la Vaslui/ ‘Welcome to Vaslui’ road sign.

    Acting is all on three outstanding actresses, Mihaela Teleoacă, Valentina Zaharia and Silvana Negruţiu: they alternate to create a gallery of characters as well as to give voice to the chorus. Each scene is introduced by an estranging musical track – one for all, the sagacious manipulation of Felicità by Albano e Romina (thank you, Alexei Țurcan, for twisting that song to its utmost grotesque possibilities).

    And, under a badante‘s eyes, what an alienating place Italy may become. Scene after scene, the picture sharpens more and more, with Italiani brava gente/ ‘Italians good people’ inflicting (unawares?) hardship on a silent army of Romanian and Moldavian badanti. Here, the term badante needs analysing a bit. The Italian Treccani Dictionary dismisses  it as “A person without special qualifications, who cares for the elderly, the sick or the not self-sufficient”, real life defines a badante as a supporting column in the Italian contemporary society. She is the person who daily accesses our houses to take care of our old, disabled or little ones, often 24/7, allowing us to pursue our professional or personal goals. It does come with a cost on both sides, but we rarely seem to stop to consider what these persons had to leave behind: they remain an invisible army to us.

     

    Audiences

    Entrance to the show is for free but on reservation basis, so to observe those attending does prove an exercise in behavioural sociology. Fact is, the phenomenon of badanti is a sensitive topic in the Romanian society. It is perceived as a taboo by a vast majority as it triggers sense of shame, guilt or frustration. To my surprise, though, people showing up to attend the performance were quite heterogeneous and, along with the expected ones – young engagé, mostly female – I could spot a considerable number of common middle-aged citizens. Personally, I bear my own burden, involved as I was in “the Italian side” of the phenomenon.

    Rovegan at Teatrul Replika, Bucharest, May 2017

     

    Theatre of Power Vs Theatre of Ideas

    As a whole, though, what a different human gallery I found at Centrul Replika, from the attendees observed just a week before at Bucharest Teatru National for Durenmatt’s The Visit. There, prestigious location, dress code and the related importance of being seen, informed me that power was in the air. Here, Radu Apostol, one of the Centre organisers, explained to me that their performances can go on only thanks to voluntary work, strong social commitment and networking, relying on hardly any public funding. Against all odds, though, their program goes on, their mission being to keep on providing the community with a place where crucial topical issues may be addressed.

    “Theatre of Power – i.e. the cultural industry with its link to the political apparatus -, vs Theatre of Ideas, with its lively offer of independent projects that can rarely benefit from public funding and mostly rely on alternative fundraising channels”,  Catincă would later explain to me, adding up:”If you want to survive, you cannot be only a pure playwright, you must become also the manager of your own project”. Catincă is still very young but she seems to already possess all the necessary managerial competences, with also a degree in Media Communication. I cannot but be struck by her focus on her art and clarity of vision as cultural organiser.

     

    Artwork, not Documentary

    ROVEGAN is the first playwright in a trilogy on immigration to bring the badanti issue on stage in Romania. The immediate source of inspiration for her project was Cireșe amare / Bitter Cherries, a novel by Liliana Nechita, a former badante from Moldova herself. In fact, while migration is becoming a key issue among young Romanian intellectuals and a documentary film already exists, Catincă wishes to underline that her focus is on the artistic representation rather than on the social investigation: “ROVEGAN is no documentary as it aims at creating its own world, detached from any real circumstances.”

    Produced by Asociaţia ARENA, between February and June 2017, ROVEGAN  went on tour all across Romania, with free performances followed by an open  debate: Bucharest, Cluj, Craiova, Iasi, Botosani, Sibiu, Targu Mures and Sfantu Gheorghe. “We found very different kind of spectators. In the smallest centres, like Botosani, Targu Mures and Sfantu Gheorghe, we had very emotional feedbacks, with many women taking it all on a very personal level; at the other end of the spectrum, we found Bucharest audience, with a much more detached cultural approach.

    “Children and Grandparents of the Migration”, seen on a wall in strada Italiana, Bucharest

     

    The Epic of Mother Goat

    “The idea to use a fairy tale to develop my project came to me while listening, one Saturday morning, a reading of Capra cu trei iezi / ‘The Goat with three kids’ on a children radio program: what an epiphany!” Disseminated with the Romanian curriculum, Creangă’s tale was written in 1875. Since then it has proved one of the best-known works in local children’s literature, also becoming the topic of several music, theater and film adaptations, in both Romania and Moldova. The tale illustrates the notion of motherly love.

    As Catincă elaborated her vision, a piéce of epic theatre began to take shape. “Mother goat is Mioara, a 47-old single mother from a Moldavian village. Forced by extreme poverty to go to Italy to work as a badantă, she must leave behind her two little kids and her very old mother.”

    So it is that on this popular background the action in ROVEGAN is built. The script goes on at a steady pace, exploiting at its best the register of the fairy tale and the imagery of the goat ecosystem. Mihaela plays Mioara, while Valentina and Silvana make their voices sound like bleating, other moments one of them uses a neutral tone to illustrate some behavioural habits of the Carpathian Goat.

    That is how, then, the imagery of the goat and the re-elaboration of traditional nursery rhymes, help Catincă to describe “the mixed feelings hundreds of thousands of Romanian and Moldavian economic migrants experience, torn as they happen to be between traditional role models of ‘self-sacrificing mothers’ and pressing new needs of self-empowerment and gender awareness.”

    About the term badantă: it is worth noting that, while its Italian version is officially used in all communications of the Italian State with reference to migration and work permit policies, the Romanian word has not appeared yet in the DEX (Dicționarul Explicativ al Limbii Române).

     

    A Must See 

    The final scene won’t be spoiled, I just borrow a conclusion from a Romanian review (which I cannot track back, help me please if anyone can): “Mioara’s story brought on stage by Catincă and her team, is just one of the hundreds of thousands and this is why this shown must be seen: a phenomenon that takes place in our contemporary world and, more specifically, within the Romanian society. It helps to understand more clearly  the deep tear that is been perceived more and more in recent years between those who take to the streets to resist and protest and those who seem passive and careless. They are those who most suffer from extreme poverty and lack of education in the rural areas of the country – thousands of Romanians forced to migrate in search of work opportunities, with all the consequences that such a decision causes in their lives and in their relatives’, as well as in the Romanian society as a whole. Therefore, go and see ROVEGAN, because if it were a smart, funny and well played show that touches socials issues without provoking any in-depth reflection, it would have already been awarded on top of a podium.”

     

    Seasons To Come

    When I leave Catincă I wish her good luck and, above all, promise to follow up soon with my article. I did prove a liar, as only now, October 2017,  I have been able to keep my promise. A couple of good reasons are on my side, though. First one, I was sure that ROVEGAN would go on in the fall season and so would benefit more from any new review coming up NOW, rather than as a tail of the old season. Second and last one, because a recent relocation to Kiev, Ukraine, has made all offline engagements prevailing and rather time-absorbing. Truth is, Catincă Drăgănescu did not need my review at all as she keeps on reaping wider and wider well-deserved success, season after season. Good luck to such a promising young artist.

    Rovegan Show Poster

     

    ROVEGAN

    Playwright and Director: Catincă Drăgănescu
    Actors: Mihaela Teleoacă, Valentina Zaharia, Silvana Negruţiu
    Original Music: Alexei Țurcan
    Video and Documentary: Alexandra Dincă, Vlad Bȋrdu, Ionuţ Popescu

     

    Dianei 4, Bucharest

     

     

     

     

     

     

     

     

     

     

    LINKS:

    Trailer Rovegan

    Platforma GO WEST

    Liliana Nechita

     

     

     

     

  • Limpede

    Limpede

    Omu Gnom,   Limpede (In a Clear Mind)

    We are the descendants of a holy People from this land

    From a culture that you would not discover too soon

    Whith glowing lies they want to replace your past

    But in vain you wear thick clothing if you are empty inside

    An easy confusion like faded music of old times

    Each of them should be dismissed like Russos

    Like debris carried away

    From a building site for good

    And to the government we apply a reshuffled code of good things

    It’s about a supreme awakening, a soul with love and peace

    Not with a gun under your pillow

    So that want us to be slaves in our land, that’s clear

    But in the end everything returns to where it all began

    Yes, just like Magellan

    The present bring us the past for the future

    Romania is like a human being, to know himself he needs to look inside his soul

    They forged our history with great abjection

    And of course it is just shit if they are made up

    I want to bring you a little sunshine,

    I don’t want to lie to you now because I will be force to lie to you all the time

    Research, study, represent yourself

    In these cloudy times we need clear thinking

    Here we have a high-level family business

    with orders coming from Mother Russia and Uncle Sam

    we witness a world parada

    where money/ice disappears due to global warming

    It is a treasure hunt and you are caught-in without knowing how

    And I can tell you when there is cheese even sandwiches are better

    Yes, as stingy as you may be, don’t venerate money too much

    Because of that you may risk to be left like Bugs Bunny with a carrot in your mouth

    There are also other important values ​​to pursue

    and don’t be stupid just because that is the easiest way to learn

    Each of us is endowed with infinite powers

    Yes, you know this is a paradoxical time

    when it is difficult to be simple

    I studied I am informed and prepared for the cause

    It’s amazing how much you can find if you know what to search for

    Really, stay tuned as we represent resistance in our country and national self-confidence grows

    Translated by Lucia Massacesi

     

     

    Original Lyrics:

    Suntem urmasii unui popor sfant de pe acest pamant

    Al unei culturi pe care vor sa n-o descoperi prea curand

    Cu minciuni stralucitoare vor sa-ti inlocuiasca trecutul

    Dar degeaba te imbraci gros daca esti gol pe dinauntru

    Confuzie usoara ca muzica de odinioara, apusa

    Ar trebui fiecare dintre ei sa fie demis ca Rusos

    Si-asa cara moloz

    Sa-i ducem pe bune pe santier

    Si guvernului sa-i aplicam codului bunelor remanieri

    E vorba despre trezirea suprema, cu dragoste-n suflet si pace

    Nu cu pistolul sub perna

    Ca ne vor sclavi pe pamantul nostru asta e clar

    Insa la final totul se intoarce de unde a plecat

    Da’ altfel ca Magelan

    Prezentul ne readuce trecutul pentru viitor

    Romania e ca un om sa se cunoasca tre’ sa priveasca in interior

    Ne-au falsificat istoria cu mizerie multa

    Si logic ca sunt doar c******i daca ei le scot din burta

    Vreau sa-ti aduc putin soare,

    Nu vreau sa te mint ca voi fi fortat sa te mint in continuare

    Cerceteaza, studiaza, reprezinta-te

    In aceste vremuri tulburi tre sa gandim limpede

    Aici e o afacere de familie de rang inalt

    cu ordine de la mama rusie si unchiul sam

    suntem martorii unei parade mondiale

    unde banii gheata dispar din cauza incalzirii globale

    e o vanatoare de hartii si esti prins fara sa stii cum

    si recunosc cand ai cascaval, si sandvich-u-i mai bun

    da oricat de avar ai fi nu venera mereu banii

    ca risti pt ei sa stai cu morcovu in gura ca bugs bunny

    sunt si alte valori mai importante de urmat

    si nu fi prost doar pt ca-i drumul cel mai usor de invatat

    fiecare dintre noi e inzestrat cu infinite puteri

    da stii tu e paradoxal timpu

    si e complicat sa fie simplu

    am studiat sunt informat pregatit pt cauza

    e uimitor cate poti sa gasesti daca stii ce cauti

    zau, mereu la curent ramai panou cand in tara

    reprezentam rezistenta cand sare siguranta nationala

  • In a Clear Mind – Meeting Omu Gnom

    In a Clear Mind – Meeting Omu Gnom

    New Album out on December 24 2018

    Hrana out on March 22 2017

    I met  Omu Gnom for an interview at Fabrica, Bucharest, just before Christmas and a week ago I went back there to attend his concert. You could tell that he is a charismatic and thoughtful chap from his very energetic yet unhurried young audience. While I could not but feel like an ideal bunica (grandma) to them all, I enjoyed their quiet mounting number, many of them  flocking in straight from Piata Victoriei, where together with other hundred-thousands Romanians of all ages, they had been protesting in front of the Government building. Back home, my teenager sons dismissed it all as a clumsy raid into a world apart from mine, ideally sympathising with my unfortunate interviewee. Who, in fact, relying on his clear mind, did prove their perception completely mistaken.

    Why Omu Gnom? Is there any ironic intention in this word combination? 

    It’s a combination between two names, om, which means human being, and gnom, which is a gnome, a mythical creature that lives in the underground and keeps the wealth and the richness of the earth. Basically, when I was little I liked this word gnom very much and then after a while – about ten years  afterwards -, when I began to write, I found that omu gnom sounded even better with their combined syllables, also because “to be a man” in Romania is like something important: sa fi un om! meaning you have to be someone good, with some standards, to try to do good with everybody. In fact, this is one of my targets in writing: I write stuff that uplift people that listen. And yes, I am an optimistic person, also with the pessimistic writing I always want to give at the end a little reason for being optimistic.  As for the combination, I like playing with words: in the word gnom you find also the word om, so I play with the idea that a gnom is little as opposed to om, someone much taller. So, it basically has it all, started from a little spark. Any other meaning comes afterwards and that is the beauty of dealing with words: you know where you start but never know where you are going to end up.

    Why they call you Domnul Profesor (Mr. Professor)?

    At the ARTA (Atitudine, Răbdare, Tehnică, Ambiție) I have different kinds of students, some just want to write lyrics and have their creativity pushed forward, so I help them with their word playing and everything that has connection to music, others are more interested in rhythm, how to put your words into the rhythm and how to make everything be packed, put in a good package. Yes, I have been doing this for two years, I have two classes and all my students are ok, actually you cannot save them all but when you can save more than half of them that is really great. By the way, how do you know they call me “Domnul Profesor”?

    [I found it out in an online interview :)] In fact, you appear as a true educator, literally: helping to take things out from within

    Yes, I want to help people with a better understanding of life, the world order and society. I don’t know if I succeed but I try to do my best to do that. Practically, my opinion of writing is that if you have a skill and you can make other people listen to your words, you must go for it. Maybe you are here for that reason as well…

    What would you have been, hadn’t you been a singer?

    Ok, this is the question every journalist puts you! Each time I give a different answer, so… today I answer to you: probably an investigative journalist.

    Getting to your music, How do you manage your work, I understand that you create all your music…

    Yes I sample the sounds I like, I make all the bits, I am a butcher. Say, I like an Italian song, maybe from the Sixties, I chop it up and add it with something else and I make music. This is Hip Hop. From my point of view, Hip Hop – or at least a part of it – is the possibility to create a movie with different characters from other movies. Which is what I basically do.

    Which are your channels to sell your CDs?

    It’s not a label, it has been a crew for seven years now (Ateliere de creatie) and I have a website,  omugnom.com, for three years. We are independent, we do not have a formal distribution and we rely on support: you can free download our stuff and if you want the original you donate, also if you want to support us you can donate. I am my own manager, my own PR, everything… It’s ok. I am still at that level. It is growing but we shall see.

    Practically, my opinion of writing is that if you have a skill and you can make other people  listen to your words, you must go for it. Maybe you are here for that reason as well…

    Coming to the hip hop Romanian scene. I read Vice 2010 about it. What’s your opinion?

    Actually  I know people that are considering writing a book about the Romanian hip hop. To give you a brief idea, it all started back in the first Ninties, when some radio shows began to broadcast American stuff, after that some local bands appeared. R.A.C.L.A. (an abbreviation of Rime Alese Care Lovesc Adânc – “Handpicked Rhymes with a Deeper Meaning”, Ed.) issued the first hip hop album. Then came the B.U.G. Mafia (Bucharest Underground Mafia) and many more. What the Romanians did after the 90s? They went, say, East Side, that is more lyrical, like RACLA, Getto Daci,  and West side in a more gangster style – so called gangsta rap – like BUG Mafia (Bucharest Underground Mafia), La Familia. At present these different styles are merging together: a combination of toughness – because also on the streets in Romania you have gangs and mafia – with some lyrical contents. Personally, I don’t follow gangster rap, I am more of a spiritual guy, but there are very good street rappers among them.

    Which are the singers who inspire you most?

    In Romania I like Methadon 3000, Norzeatic [he is now in Tokyo to study Japanese] and Deceneu. So these are my main influences.

    About your song Limpede: what is the story behind this song?

    It means “in a clear mind” I started working on this song during the Roșia Montana protest (a successful protest against a mining project in 2013, Ed.). I talked to people and observed the events: I was starting to wake up and watch what was happening in the world, what was happening in Romania. So I made the song with the idea that you should have a clear mind to focus if you want to deal with something. This should be normal for a human and this is what I also say to my students. This attitude also regards your opinion: you need to have a clear mind, even if your opinion is a collage of different opinions, it still becomes something yours and original, reflecting just you, who collect it all.

    In Printe cuvinte you say ai grija sa n-ai griji (“be careful not to be careless”) and “read, open your mind”: quite beyond simple singing life’s ups and downs and the fatalistic mood so recurring in Hip Hop…

    I am a kind of conscious writer. This is where my style is taking me to. And frankly speaking, I would like to earn some money in things that I believe in. I will never leave rap, though. I like that my message reaches more people. I am sure that an open-minded person would be interested in it. For instance, on December 11th (General Election Day, Ed.) I took part in an event called Conteaza Voteaza (“It counts if you vote”) at Expirat, a new Bucharest club in Halele Carol, where you could join in only if you brought along your voting stamp. And it was a good show in a whole new environment for me: I had a very good reception. I made my freestyle on politics and people enjoyed it and wondered who I was. That made me think that I should let my music go to places where it had not gone until now, because there are people that would appreciate it.

    What I basically do, I try to make things that will help you develop. I write things for me, as well to improve myself. I like saying to myself: “it will be ok, try to be better, come on!”, “here are these politicians that are robbing you, don’t be stupid, think! Think! And it will be ok!”. I don’t know if this happens everywhere but the people in Romania must be constantly reminded that they are in control of their lives and that if they think critically then everything is going to be ok. Maybe it is a general human problem… More, now we have too much information and you feel lost: we have Google and everything is there for you but we don’t know what to search anymore and we are tired of all this. I don’t know if I have the right to give advice but I am trying to play my part in this. And I am doing it for myself, first of all.

    Now we have Google and everything is there for you but we don’t know what to search anymore and we are tired of all this.

    Comparing your mood to that I can grasp in the current Italian rap scene- some names: Salmo, Jay Ax, Marracash, Sfera Ebbasta, Guè Pequeno -, I find yours inspirational while theirs, allow me a risky generalisation – full of spleen and nihilism. Does it make any sense to you? 

    I don’t know the music of these artists so I cannot relate to the description. What I can do, though, is to talk about my music, my message.
    I don’t want that the people that listen to me thinks it all sucks and there is nothing to do about it. As a proverb says, in every situation there are at least two solutions. Of course you have to say things as they are, but that is not enough. Obviously there is room for everybody in hip hop: others deal with fatalism, nihilism, drugs, whores… This is my style. I have parents that are fans. At a concert in Sibiu a sixteen-year-old guy came up and asked me to take a picture saying “I am here because my father sent me, he told me, you’ll like that guy!”. These are kids that have a good relation with their parents. Me and my parents did not relate to music in that way. We are in 2017 and more open-minded persons have become parents: we are starting to change. But what this era in which everything needs to be fast is doing for us, is that we also want fast results in everything. But there are not fast results to do things: it comes in time. You cannot jump the stairs from floor one to five.

    Getting to the youngest generation, I observe that they are very responsive to change and open-minded, they have ambitions, speak many languages, more than I can see in our young people in Italy.

    You are right, but a major problem here in Romania is the education system which dates way back. Everything depends on the lack of inspiration. The world has changed but school subjects are still taught with old boring methods. You see, to be a doctor or a teacher requires vocation. This is the basic thing: you have to be prepared on that, meditate much, be ready to be a model for them. So, you realize one of the reason they want to be there (at school) is YOU. The problem comes when teachers start to hate their job and apply strict rules, which, in fact, should not be necessary at all. As a consequence, they do not let students have their own opinions, which would help them so much! The school should prepare students for life, it should help them to express themselves but no, the school wants everybody speak the same, dress the same, think the same, learn the same. It’s an unending subject anyway…

    As an Italian observer, when I first arrived in Bucharest, all your quarters of dehumanising communist blocs deeply shocked me,  “how can individuals survive in there?” kept on asking myself… In an interview you said that you were born “printre blocuri nu dupa blocuri” (through the blocks, not in their mentality). What did you exactly mean by it?

    True, it is a nice wordplay…That is one of our major problems, that we had fifty years of communism and it affected the people’s mentality. For that injury to heal requires time, so right now we are still on the healing process: we are not ready to do something because the wound is not healed yet. It may seems but if you look around the wound is not healed yet. I mean also the young people – not only the fifty or forty-year-old, but also the twenty years old, they have wounds as a reflection because what the children see is what the children do: they follow pattern behaviors, consciously or unconsciously. I can see things that I do myself, without my knowledge, because I saw them at my parents. So, basically patterns of thinking and patterns of choices. It is also a matter of vocabulary… We have then to work out this communist thing in a way to manage its fucking impact on us.

    Still, anything to save out of the communist heritage?

    That’s a good point. The best thing in communism was that you had housing, a job and some money, you had nothing to buy but you had money, now you have many things you would like to buy but you don’t have the money: welcome to capitalism! Communism and Capitalism are the two sides of the same coin: we were so hungry of everything that we wanted it all, and now we have got all that crap from capitalism. The American model sit perfectly on us; these people here had stayed for fifty years with everything portioned, the money, the food, they were not allowed to leave the country; now they want it all. Yes, the Romanians have this incredible need to do shopping and they want to be sure that everything is there at their disposal. It sounds silly but it is understandable and to cure this will take time, generations. In fact, the youngest are starting to realize that and are developing a different mentality: when I speak with eighteen-year old, we understand each other.

    What this era when everything needs to be fast is doing for us, is that we want fast results in everything. But there are not fast results to good things: they come in time. You cannot jump the stairs from floor zero to floor five.

    How do you explain the results of December’s General Elections?

    That kind of result was highly expected. You cannot change everything like that. People are not ready for that yet, because they don’t know what they actually want. Imagine, that result does not reflect the actual will of our population and of our society. Let’s do this exercise of imagination for the sake of argument. Imagine this: 10 people are ALL the people who have the right to vote. So the people who have the right to vote are ten but only four of them actually went to vote. So now, the attention of everybody is on these four people because from everybody’s perception, those four people represent ALL the people. So now, these four people become ALL people, and from these four people who have become ten people, five voted this party (PSD, Ed). In fact, considering the ten initial potential voters, they are just two! So basically, what we should do is to focus on why didn’t six people go to vote? What do they want? The first answer is that “because they are sick of this shit, and it is a shit and nobody wants to deal with this shit”! Most prefer not to get involved at all. A smart person or party should focus on why these are not going to vote and learn something. No! The real problem is that they prefer saying “we are so good; we did ten, twenty per cent…” Still, if you consider the eighteen millions that are entitled to vote, you have gained nothing! In fact, I have my theory – and probably at a certain point I will create my ONG and try to propose things – is that you should not have an election which is validated without fifty percent of the people coming to vote. This is not normal, this is not a majority, why is this legal?! All in all, I think the strategy of the main parties is to keep those six people out of ten from voting: they do not want them to use their vote; they want them to feel sick about it. The real point is that to get diamonds from the mud you have to get dirty and those six do not want to get dirty.

    Coming to the present, with hundreds of thousands of protesters in the streets as a reaction to the latest political developments, how should we read that in a clear mind?

    Here in Romania we have a constant displeasure regarding politics and politicians. They have been robbing the country since the communism fell and somehow many people seemed to have got accustomed to their lying and their habits and lived their everyday life not wanting to think about it. I was saying in the previous question that a large part of the people who have the right to vote didn’t vote, that is a lot, around 60%.
    What is going out now? The party that won the elections was trying to give themselves and their partners in crime a law that would help them avoid jail time. That was the last drop for many, so they are starting to protest. The emotional state was in such a way that the protest became a snow ball with the maximum of half a million Romanians on the streets in a Sunday evening.
    I think we are witnessing history in the making. The majority of “I don’t care” just started to get involved and are starting to make a statement against corruption.

    Next concerts or oncoming projects?

    I am almost finished with my project with Dj Undoo. We have an album that will become available shortly. We have been working at this for quite a while and I am really looking forward to make it public. It is a personal, classic one.
    We will be present with a concert in most of the major cities in Romania so come see us live this spring.

    Bio Info:
    Songwriter and beatmaker for seventeen years now, Omu Gnom produced his first solo album  
    Ai grija sa n-ai griji in 2011 obtaining a very excelent reception. Nu uita sa nu uiti came out shortly after, in collaboration with Norzeatic and other underground artists and Djs. In 2013-14 he focussed on another project, Atentie la neatentie, with a strong social message, with the song Limpede obtaining a warm reception in most of the Romanian cultural media.

    • Performing at Fabrica on February 3 2017 photo by opisicaneagra.ro
    • Sunday February 5 2017, mass protest in Piaţa Victioriei photo by Fabiana Papastefani
  • Interview – Mike Ormsby

    Interview – Mike Ormsby

    After having enjoyed reading Never Mind the Balkans, Here’s Romania, I wanted to know more about the author Mike Ormsby and his subject matter. A British writer and former BBC journalist, World Service trainer and musician, Mike welcomed my questions with the same enthusiasm and passion I had found in his writing. With his wife Angela Nicoara, also journalist and writer, he has chosen Magura, Transylvania as his main place of residence. 

    What kind of reactions has your book received in the course of time? Can you detect any difference in its reception between Romanian and English readers?

    Since 2008, when the book was published, the majority of my readers seem to have enjoyed it. Most of them find it amusing, direct, and accurate; I’m glad about that. My first publisher was a bit worried and said, “Romania is not ready for your book – it’s too honest.” I replied, “But if not now, then when?” As it turned out, Romania’s literary critics gave the book a very positive reception and several described me as “our British Caragiale”. Most readers on Amazon, GoodReads, and so on, have been very supportive too, and I’ve made new friends this way. Of course, some people do not enjoy the book and post negative reviews, but that’s life and I don’t mind unless they misrepresent or tell lies about my work, as some do, because that’s not fair.

    To answer the second part of your question, many Romanians seemed surprised that a foreigner could observe, understand, and write about their country in a way that ’opened their eyes’. For example, a Romanian Army general told me that he thought his wife was crazy for looking after street dogs, until he read my book. Now, he sees them differently and even helps her.

    As regards nationalities, I have not sensed differences between the reactions of Romanian and Anglophone readers. On the contrary, I see similarities. For example, many Anglophones and Romanians see this country clearly and are honest about its pros and cons. In my experience, when such people read ‘Never Mind’ they tend to share my own outlook and find the book to be fair and realistic. However, the opposite applies: some foreigners (often tourists) and some Romanians (often nationalists) wish to ‘defend’ the country from perceived attacks and do not share my outlook.

    You wrote the book eight years ago and I have read the book now finding its tales still very topical. Do you think that anything has actually changed since then, if so, how?

    Most drivers are more courteous and less aggressive, now. There is less smoking in public places and people seem more interested in healthy living. On the one hand, I hope Romania continues to change in such positive ways. On the other hand, I hope some things will not change: Romanians’ hospitality, their generosity, quick wit, fatalistic sense of humour, their remarkable ability to improvise with tools, and their ability to make fun of the bad times – haz de necaz. Those aspects I will always respect and cherish.

    Many young characters in your tales show personal ambitions, various degrees of cynicism and little interest in getting involved in community issues. Can you see now a change in the general trend, with young generations more politically and socially active, see Rosia Montana and Colective movements, or do you consider them niche phenomenons of major cities?

    It is several years since I’ve lived in a Romanian city, so I can only answer based on my experience of life in our mountain village. Here, young people seem keen on community issues. For example, for the last two years, my wife Angela Nicoara and I have been picking up litter from local roads and forests. A dozen local children got involved and we’ve since gathered almost two tonnes of litter. I’ll tell you more about this later.

    The gap between the richest and the poorest in the country has widened further, with the middle class caught up in a quagmire and in search of a new political representation. What should we be expecting at the oncoming political elections due on December 11? Anything new under the sun?

    As a politician might say, I’m glad you asked me this, although, actually, I’m not glad, because I have no idea what to expect. Put it this way, if Trump can get to the White House (as I expected), and if the UK can exit the EU (as I did not expect), then anything is possible in Romania. I hope for the best, but fear the worst.

    Many of your characters experience at least a period abroad, which always help them observe the country more lucidly. These diaspora people, some leave for good, some finally chose to come back. Is there a role diaspora people can play in the present/future of this country?

    Politically, ex-pats can help by voting in Romania’s elections. Financially, they can help by sending cash home, and many do. Culturally, they can help by making sure that their children are raised as bi-lingual speakers, this is very important. Personally, they can help by being decent people – as so many are – in order to help counter balance any negative stereotypes of ‘Romanians’. In my experience, travel changes us all, sometimes for the better. So, there’s hope for us all, and my suggestions could apply equally to Brits; we are no angels.

    Among the many pending issues facing the Romanian society, lack of a basic environmental education and total absence of a recycling and waste management policy represent major ones. Tell us about your video about picking up litter, and about the idea behind it.

    Angela and I decided to make the video after a villager yelled an ironic comment while we were picking litter. Before I tell you what that person yelled, a little context might help, as follows.

    Despite our many invitations to them, no local adults help us to collect litter in Magura. Instead, they offer excuses, e.g. I’m too busy. Some parents even tried to forbid their kids from helping us to tidy up because they think it’s undignified, dirty, and ‘not our problem’, even though many of them own guest houses and thus benefit from a cleaner village for tourists to enjoy. Naturally, we are disappointed, especially as our work takes only a couple of hours every month or so. Anyway, moving on …

    We were with local kids collecting litter from a mountain lane, when a local yelled, “Hah! Vino Mama, sa ma vezi cum lucrez la spatii verzi!” Angela told me that this was a sarcastic reference to a communist-era work slogan: “Mum, come and see, I’m working in the green spaces!”

    We’d been thinking for a while about making a music video with some of the village kids who attend my ukulele class, but we had not chosen a song from our repertoire. So, we decided to use that communist-era slogan for a new song about collecting litter, a song urging local parents to help us. We were sitting in a pizza place at the time and we heard ‘Every Breath You Take’ in the background. We realised we could adapt Sting’s nice tune but add our own lyrics about litter in Magura. Angela found an experienced cameraman to help shoot and edit the film, and a neighbour choreographed traditional dance steps for the kids. We added a comic touch – dancing with bags full of rubbish – and paid homage to Bob Dylan with our flash cards listing the sorts of things we find in the village. You name it, we find it!

    The video shoot took several days and was very hard work in hot weather. It can be tricky coordinating a dozen kids, for shot after shot, but they were very cooperative. When they got tired, we told them, “This is how it feels to be a movie star, it’s a lot of work!” That made them feel a bit famous and they’d brighten up.

    So far, our video has had around 30,000 hits on the Internet and dozens of supportive comments. Lucian Mandruta from DigiFM posted it on his Facebook page, which helped. If you wish to watch, here is the link: ‘Amazing Romania!’ Please share, every thumb helps. But will local adults? We’ll see.

    For all its shortcomings and chronic problems, Romania is the place you have decided to call home. What is it that attracts you most here?

    When I first came to Romania in 1994 as a BBC reporter, it felt very different to other countries and attracted me in a way I could not resist. I had never visited a former communist state in eastern Europe and found this one fascinating; most of all, I liked the people. A few months later, I came back to teach at Scoala BBC in Bucharest and stayed a couple of years. I met Angela and then we moved to Bosnia, the first of seventeen different countries that we would live in during the twenty years that followed. Our life was very nomadic and we had no chance or wish to settle, but, eventually, we took a break and bought a house here in the mountains of Transylvania. We like the clean air and quiet atmosphere, after years living in big cities such as Jakarta, Khartoum, and Baku. We like pets but were never able to own any, since we moved too often, so this village is ideal for those we adopted recently – three dogs and five cats.

    Last summer, a Romanian friend told us that he has no desire to live anywhere else because, ‘This country has just enough rules’. That made us smile and I know what he means. For all its problems, as you say, Romania has a special something that you won’t find elsewhere. When I’m away, say, in England for a few weeks, I miss that special something, whatever it is. However, Angela and I do get restless after too long in one place. Once a nomad, always a nomad, perhaps? Our feet are starting to itch, I fear!

    If a ‘sufletul romanesc’ exists, what would you think it consists in? What role plays irony in it?

    What’s in a Romanian soul? Great question! Certainly an affinity with the land – Romanians seem to enjoy a deep and lasting link to the countryside and the pleasures it affords. Every Romanian seems to know where to procure good fruit and vegetables, or the best tuica that money cannot buy, and so on. I think such links keep one’s feet on the ground, literally and metaphorically, although it took me a while to appreciate that, perhaps because most people in the UK no longer have those connections. What else? Hmm, perhaps an ability to get around the rules – or such rules as exist – to survive. Certainly a morbid fear of death by draughts, an allergy to seat belts (especially in an aircraft), and a chronic inability to wait in an orderly queue. Irony, yes, definitely. It’s the ace of the cards that life deals you, here.

    Any other project coming soon?

    I’m working on a collection of short stories set in Transylvania.

    Cover photo by Cosmin Bumbuț

  • Mum, come and see… Kids Singing Green

    Mum, come and see… Kids Singing Green

    While Romania needs to hurry up to cross the 2020 finish line with all its EU waste targets met, the situation on the ground becomes more and more unsustainable. At its core we find a cultural challenge which needs tackling by any possible means. Irony and direct involvement may prove amazing tools, as Amazing Romania! seems to suggest. It is a video produced by Mike Ormsby and Angela Nicoara who chose to deal with the Romanian green issue in a very creative way.  In his RWD interview Mike Ormsby has revealed us the origin and the funny details behind the video shot in Magura and starring very special (and crucial) actors. 

    Enjoy the video and, above all, share it!

    Excerpt from RWD interview to Mike Ormsby:

    “Angela and I decided to make the video after a villager yelled an ironic comment while we were picking litter. Before I tell you what that person yelled, a little context might help, as follows.

    Despite our many invitations to them, no local adults help us to collect litter in Magura. Instead, they offer excuses, e.g. I’m too busy. Some parents even tried to forbid their kids from helping us to tidy up because they think it’s undignified, dirty, and ‘not our problem’, even though many of them own guest houses and thus benefit from a cleaner village for tourists to enjoy. Naturally, we are disappointed, especially as our work takes only a couple of hours every month or so. Anyway, moving on …

    We were with local kids collecting litter from a mountain lane, when a local yelled, “Hah! Vino Mama, sa ma vezi cum lucrez la spatii verzi!” Angela told me that this was a sarcastic reference to a communist-era work slogan: “Mum, come and see, I’m working in the green spaces!”

    We’d been thinking for a while about making a music video with some of the village kids who attend my ukulele class, but we had not chosen a song from our repertoire. So, we decided to use that communist-era slogan for a new song about collecting litter, a song urging local parents to help us. We were sitting in a pizza place at the time and we heard ‘Every Breath You Take’ in the background. We realised we could adapt Sting’s nice tune but add our own lyrics about litter in Magura. Angela found an experienced cameraman to help shoot and edit the film, and a neighbour choreographed traditional dance steps for the kids. We added a comic touch – dancing with bags full of rubbish – and paid homage to Bob Dylan with our flash cards listing the sorts of things we find in the village. You name it, we find it!

    The video shoot took several days and was very hard work in hot weather. It can be tricky coordinating a dozen kids, for shot after shot, but they were very cooperative. When they got tired, we told them, “This is how it feels to be a movie star, it’s a lot of work!” That made them feel a bit famous and they’d brighten up.

    So far, our video has had around 30,000 hits on the Internet and dozens of supportive comments. Lucian Mandruta from DigiFM posted it on his Facebook page, which helped. If you wish to watch, here is the link: ‘Amazing Romania!’ Please share, every thumb helps. But will local adults? We’ll see.”

     

     

     

     

     

  • Never Mind the Balkans, Here’s Romania

    Never Mind the Balkans, Here’s Romania

    Mike Ormsby, Never Mind the Balkans, Here’s Romania 
    Kindle Edition, 2, 211 pages
    Published June 28th 2012 by Mike Ormsby (first published January 1st 2008)

    Admittedly, it has taken me some time to discover Never Mind the Balkans, Here’s Romania, first published in 2008, yet here I am now, eager to fill that awkward gap.

    In this collection of fifty-seven short stories, Mike Ormsby, a writer and former BBC journalist/World Service trainer, chronicles various moments of his experiences in Romania between 1994 and 2006, when Romania became his home.

    Published simultaneously in Romanian as Grand Bazar Romania (translated by Vlad A. Arghir), Ormsby’s book received a range of reactions – from sheer enthusiasm to harsh criticism – mostly depending on readers’ personal visions, expectations, and sometimes, on their nationality.

    Personally, I could not help getting absorbed in tales that so vividly evoke situations and characters almost identical to those I have come across, eight years later.

    Irony – and, even more valuable, self-deprecating irony – seems to me the X-factor which makes you enjoy reading this book, to the point that some local critics have dubbed Ormsby ‘our British Caragiale’, after the 19th century playwright and satirist. Alas, I wish I knew more about Caragiale – just another one of the huge gaps I still need to fill – to fully appreciate that comment, surely enough, though, the author’s funny and bittersweet tone works as an antidote to his keen empathy with Romanians and their unique land, providing him with a safe distance from which to observe the scene.

    Indeed, Never Mind the Balkans is not the only book about contemporary Romania under “modern foreign eyes”, so to say, and I will be dealing with at least a couple of others soon enough: Philip O’Ceallaigh’s Notes From a Turkish Whorehouse  (Insemnari dintr-un bordel turcesc, translated by Ana-Maria Lisman), and Voyage en Roumanie by Alain Kerjean; each contribute in their own way to unveil some of the deep mechanisms at work inside contemporary Romanian society.

    Back to Ormsby’s book, it strikes me for having succeeded in assembling such a vivid gallery of characters, so powerfully close to the “real thing”: you cannot but feel grateful for that. In each story, the author blends into his surrounding and allows characters to speak for themselves. His voice is never invasive nor in the least sounding like the usual “wise guy from the West”. Rather, quite often he limits himself to acting as litmus paper within his environment, letting people and situations speak for themselves. Like in Why Not, where his artistic projects with his friend Adrian finally cannot but crash when faced with the dumb indifference of an incompetent journalist, whereas in Nice Sofa, Ormsby lucidly stops aside to actually wonder, “Was it my fault? Was I some wise guy from the West, with big ideas?” So, as I went on reading – always with valuable help from my Urban Dictionary – I enjoyed descriptions conjuring up, in a bunch of words, whole human landscapes and situations.

    More. Many tales leave you with a surreal aftertaste, not an infrequent impression in Romania. Take Labyrinth, where characters successfully incarnate one mainstream approach to life here: “Live by the rules and don’t get stressed.” Others – with generous help from serendipity – focus on the past or dig into local history to finally present you with little treasures, like Buried, where, en passant, Mihai Eminescu is described as that chap “with the rock-star looks”. The tale sheds light on the little known, tragic biography of a promising young translator, Corneliu Popescu, whom Ormsby discovers by chance while searching in the public library for English translations of Romanian authors. As a teenager, Popescu translated Eminescu, and brilliantly so, but died alongside his mother in the 1977 earthquake.

    Another kind of sadness takes you when reading tales like Șpaga, depicting the use of bribes as the mainstream strategy to solve any practical problem or life issue, applicable at every possible social level.

    The good thing about these tales is that they are not Bucharest-centred: Ormsby travels the whole country and encounters very different human habitats. In The Wrong Place, we end up in a small village, Tușnad, with poor Tanti Dorina who is caught in her damp bed between past and future, whereas in Too Good To Be True, a hiking trip takes us up into the Carpathian Mountains, dangerously close to angry sheepdogs. But it is definitely in tales like Faith, Hope, and Chablis that I most appreciate Ormsby’s voice. Here, two worlds – West and East Europe (allow me to generalise) appear to get extremely close one another, yet something goes wrong and it does smack of us-and-them – indeed a chasm – unless prejudice and self assurance are not won by good will and a sincere wish to understand “the other”. I won’t say more, because I do invite you to pick up this book and enjoy your reading.

    Overall, I am grateful to Ormsby and will steal a quote from John Lennon, one which the author passes on to his friend George, a character we meet in several tales: “Life is what happens while you are making other plans.”

  • Printre Cuvinte – Amid Words

    Printre Cuvinte – Amid Words

    Rap is not my genre but rappers may tell us something about the mood of the youngest ones: they powerfully echo shared disillusionments and hopes (?) and on national scales they “localise” nightmares and dreams of the latest generation. Their voices are worth listening to if you are interested in catching the mood of the youngest citizens in a country. In Bucharest Omu Gnom is one of them and the lyrics of his Printe Cuvinte (Amid Words) welcome you in the world of the Colectiv Generation.

    Omu Gnom, Printre cuvinte, 2016

    Sunt nebun, spun unii că da, dar eu dau vorbe de duh
    Că atenție unu, sau bunică-ta
    Dacă nu te implici, nu o să întelegi ce s-a relatat
    E ca și când ai băgat cereale, să știi integrale la BAC
    Nu ne-am născut pe planeta asta doar s-o populăm
    Trebuie să ne găsim drumul, să vedem după ce scop umblăm
    Ce lideri votăm, ce neghiobi urmăm
    Ce vrem de fapt să facem, si ce top urcăm
    Ne trezim uneori, dar parcă încă dormim
    Toți la aceeași masă, sătui de mâncătorii
    Dar fiecare se uită la altă farfurie și e cam trist,
    Când vezi omul bulversat ca un câine rasist
    Vezi ce ai în casă, înainte să te uiți pe fereastră
    Uneori am impresia, că suntem toți împotriva noastră
    Când de fapt, suntem toți la fel
    Și toată șmecheria, e că armonia salvează România

    Eu pot să-ți vorbesc mult despre una, alta
    Dar tu ești schimbarea ta, tu ești meșterul și unealta
    Ai răbdare cu tine, caută-te, găsește-te
    Descoperă-te, bucură-te de tine, liniștește-te
    Astea-s vorbe goale, dacă nu îmbraci cu ele fapte
    Teoretic pare ușor, și practic par grele toate
    Totul până începi, și apoi o să găsești ajutor la tot pasul
    Te-ai săturat să te-nvârți în cerc, precum compasul
    Trebuie să ai credință-n bine, să fi spiritual
    Nu contează că ești ateu, creștin sau musulman
    Trebuie să facem ceva, ne-am învățat prost de tot
    Vrem totul deodata și fără efort
    Omul e obișnuit să creadă că tot schimbă foaia
    Mereu agitat, se precipită ca ploaia
    Și daca-l întrebi, zice că așa vrea să fie
    Dar degeaba știe ce vrea, dacă nu vrea să știe

    Diferite situații, aceleași stări
    Toți vrem răspunsuri, dar nimeni nu-și mai pune întrebări
    Bombardați cu înformații, ne pierdem printre cuvinte
    Toți vrem schimbare, dar nimeni nu vrea să se schimbe

     

    English Translation:

     

    Omu Gnom, Amid Words, 2016

     

    You are crazy, some say to me, yes, but I give words of wisdom
    Attention that someone, or your grandmother
    If you do not get involved, you do not understand what was said
    It’s like when you put grain, you know all at the BAC
    We were not born on this planet just to inhabit it
    We must find our way to see where we are heading
    What leaders we vote, what fools we follow
    What we actually do, and what top we climb up
    We wake up sometimes, but as if still asleep
    All at the same table, tired of eaters
    But each looks at a plate and it’s kind of sad,
    When you see a man confused as racist dog
    You see what you have in your house, before you look out the window
    Sometimes I think that we are all against ourselves

    When in fact, we are all the same
    And the whole trick, is that harmony saves Romania
    Diferite situații, aceleași stări
    Toți vrem răspunsuri, dar nimeni nu-și mai pune întrebări
    Bombardați cu înformații, ne pierdem printre cuvinte
    Toți vrem schimbare, dar nimeni nu vrea să se schimbe

    Different situations, same states
    We all want answers, but nobody are raising questions
    Bombarded with information, we get lost amid words
    Everyone wants change, but nobody wants to change
    I can talk to you more about this and that
    But you’re your own change, you are the master and tool
    Be patient with yourself, look for yourself, find yourself
    Discover yourself, enjoy yourself, relax
    These are empty words if you do not turn them into facts
    In theory it seems easy, while practically all seem hard
    All that till you start, then you find help at every new step
    You’re tired of spinning round and round like a compass,
    You must have faith in a better world, be spiritual,
    Does not matter you are atheist, Christian or Muslim
    We must do something, they taught us more badly than anything
    That we want it all at once and effortlessly
    Man is accustomed to believe that everything changes sheet
    Always restless, precipitates as rain
    And if you ask him, he says it wants to be
    But in vain he knows what he wants, if he does not want to know
    Different situations, same states We all want answers, but nobody asking questions Bombarded with information, we get lost amid words Everyone wants change, but nobody wants to change

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